Jhoira Artificer

cleolinda:

dhaunea:

makeupbox:

How to use Duos, Trios, Quads, Quintets???! (A few basic shapes that work with all eye shapes)

The first thing I always tell people when it comes to eye shadow application is - find your socket line. And learn to separate that from your crease. 

image

There is a myth about applying shadows “on/within your crease”. Well that’s fine if you have very defined, even, thick lid folds. But if you have hooded eyes, mono-lids, or smaller lids where the crease is either not visible or not high enough, many eye-shadow looks can be very unflattering or they simply disappear when you open your eyes. 

What to do? Simply replace the word “crease” with “socket line” from today on. If you have mono-lids and hooded lids, it’s important to blend your shadows UP TO your socket line at least. That not only defines your natural contours but also widens the eye. 

  1. Your socket line is where your eyeball dips into your orbital bone. Close your eyes and feel for it.
  2. Flattering eyeshadow looks are all about "creating shadow and light" in the right places. Even if your eye contours aren’t very defined naturally, placing a bit of deeper color along your socket line and a pale shade in the center of your lid will create the illusion of more pronounced contours without making you look too dramatic.
  3. I DON’T recommend creating a fake socket line higher or lower than your natural one. It can go very very wrong unless you’re an absolute pro.
  4. Many times we use brushes that are way too big or fluffy. If you have small lids or eyes, a smaller, round-ferrule pencil brush like the one from 13rushes can make life a lot easier. Go for the flatter, wider brushes if you have a bigger lid space to work with. 

Now that we’ve got that covered, you can get back to the question of “what the heck do I do with this palette that has 2-3-4-5 shades?!” and look at the images above as a reference for where colors go.

Don’t be restricted by the image with the 4 shadow palettes and the labels on each of the shades. It’s there as a reference but the best thing is to look at the eye charts, because you can use any 2 shades in a quad or a 5-color palette as a duo using a DUO diagram.

Steps don’t include liner (optional) and mascara, so you just add them later.

THESE ARE NOT RULES. They’re just basic guidelines for those who aren’t too familiar with eye makeup yet. 

Lastly, when looking for eyeshadow palettes, here are some beginners’ tips:

  1. My palette has one cream/liner/glitter shade! Well, take those out of the equation and see how many regular shadows are left. If there are 3, shadows left, follow the TRIO diagram. If there are 2, follow the DUO diagrams. 
  2. Erm, so what do I do with base/liner/glitter shades? Apply the base all over from lash line to socket bone before you begin (you don’t need to go all the way to your brows unless you want a dramatic look). For glitter shades, you can apply them as a wash all over when you’re done with the rest of your eyeshadows, or down the center of the eye for a “wet look” when you blink. Liner shades are self explanatory!
  3. DUOS: look for those where 1 shade is the same lightness or lighter than your skin color, and 1 shade is darker/smokier. Doesn’t matter if they are metallic, shimmery, matte, sparkly. For most basic daily makeup looks, you just need a light and dark to define your eyes. 
  4. All palettes: make sure there is a "balance of light to dark shades". This means at least 1 softer shade and at least 1 dark shade that is deep enough to act as a definer shade. (There are a lot of palettes where all 3-4 shades are pretty shimmery pastels. Well, sorry but they’ll look nicer on your vanity table than on your face. You need a darker shade there for definition and contouring in order for the palette to look flattering. 
  5. QUADS: What do you do if there are 2 pale shades? Which should you apply on your brow bone, and which as an accent in the center of your eye? The less shimmery/sparkly one on the brow bone, and the more dramatic and reflective one on the center of the eye. If they’re about the same texture, then it doesn’t matter which you use where.
  6. 5-6 SHADE PALETTES: Many people find them overwhelming, but you really don’t need to wear all the colors everyday. You can pick 2-3 shades and wear them as a duo or trio (See diagrams) easily. So they actually give you the most options!

Some Idiot-proof Eyeshadow recommendations:

Duos: Laura Mercier eyeshadow duos. Always well coordinated, with 1 soft/matte shade and 1 darker, richer one. Takes the guess-work out of eyeshadow application.

Trios: A lot of drugstore brands like Wet n Wild Color Icon have pre-coordinated trios with the shades marked out as lid, crease, browbone for you. Just remember “crease” = socket line. In the higher end range, Dior’s 3 Couleurs are beautifully coordinated and easy to use and blend.

Quads: Tom Fords and Chanels have some of the easier to use luxe quads in the market, but if you’re going for the Tom Fords, remember to minus out the sparkle shades. (E.g. 01 Golden Mink is what I’d consider a duo, not a quad, because there are 2 sparkle shades out of the 4, and I’d apply the 2 satin shades using one of the DUO diagrams above, and then decide how I want to apply the sparkles.)

**Laneige Pure Radiant eyeshadow quads (S$40) are a fantastic alternative - not dupes cos there are no exact palette matches, but great alternatives - for Tom Fords (S$100) because the satins and glitter textures, as well as a few of the shades, are actually very very similar. If you love the look of TFs but find the prices a little steep in Asia, take a look at the Laneige counter! See for yourself!

image

Quintets: Lancome’s Hypnose palettes are still one of my favorites. They usually have the BEST balance of dark and light shades, and they’re perfectly coordinated with each other, so you can pick any 2-3 shades out of the 5 and go.

**Diors are a good option if you have more mature lids or prefer smoother, more translucent pigments but the 5 couleurs are’t as well-balanced as Lancomes, so unless you’re very experienced and know how to add definition using liner and mascara, I’d pick a few colors and use these palettes as duos and trios rather than a quintet.

If you want to break the rules completely and do it like makeup artists do sometimes, NARS’ duos are pretty much on the opposite spectrum to Laura Mercier.

They do have light vs dark shades too, but there are also tons of funky clashing duos designed for maximum drama on the lids. Stuff like Rated R (lime and blue) and Bysance (yellow and violet) can still be applied using the 2 DUO diagrams above, but the final effect will be VERY bold. Probably better for the club than for school or work.

So very relevant to my current interests.

Helpful if you’re trying to figure out what to do with the Aromaleigh “This Is My Design" colors. I have deep-set eyes, so yeah, I generally blend a "crease" color up to/over my socket line so you can even see it. I’m experimenting with some of the other colors to see what might blend well with the darker or more vivid shades; turns out that Tattler is really, really pretty blended with Everlasting Credit as your lighter shade, like a sunset. It also worked with Yarrow, a matte, and would probably work with a shimmer like Sophie. I’m still working out what might go with Ravenstag and Murder Tie. 

medievalpoc:

Contemporary Art Week!

S. Ross Browne

Series: Self-Evident Truths

from the artist’s statement:

These paintings represent a modern study in dichotomy and perception from a historical context using portraiture as the interpretive engine.

I often use the image of the black woman in unaccustomed/atypical context; derived to create a visual tension between historical fact, misinformation and myth. The viewer is lured into the possible narrative of the depicted figure by her beauty, strength and grace; however immediately enters an intellectual menagerie where they are confounded by the disconnected visual clues. Is she slave or slaveholder? Is she captive or free, is she servant or served? Is she factual or fictional in a historical context? All of these questions and more provide basis for the individual viewers journey of allegorical interpretation.

The images are imbued with cultural and ethnic symbolism that provides insight into the historical context of the painting. Yet, the icons, combined with my personal visual vocabulary, may remain unseen or misread by the “unknowing” eye; the eye that never learned the historic bases for all the possibilities in the lives of these women. In a society that often make instant cultural judgements based on visual cues that are often stereotypical, but not always, I feel offering ethnic imagery that defies common visual library of the modern citizen may challenge each individuals biases and foregone conclusions of their own notions of what race represents in history and therefore in humanity.

The images beg the question: Is “Truth” self-evident? Who’s “Truth”? How does knowledge, experience and perception of one’s “self” determine what is evident? If the view of oneself is skewed is it possible to see another clearly?

le-claire-de-lune:

I have been waiting for this post you have no idea. 

hullodearie:

Fake Pockets: A How To

To all the Tumblr users who tend to use tags very liberally:

craftastrophies:

das-moot:

thejadedkiwano:

Let’s play a game.

Type the following words into your tags box, then post the first automatic tag that comes up.

you

also

what

when

why

how

look

because

never

#YOU ARE RIGHT #also homestuck whayyyyy #What Is Happening #when it isn’t 11:30 at night #WHY DOES IT KEEP MAKING DOUBLES #how do i do this #look at this shit #because I don’t know this guy real well anymore #never google Edward Penishands

#YOU TWO DORKS #also I am offended by that video salma Hayek cant be miss piggy she’s not fat #(trauma. Cultural trauma is what’s wrong with my sense of humour) #WHEN WILL FALCON GET A MOVIE #WHY #… how tho #LOOK AT ALL THE MAPS #because the patterns have names you see #NEVER STOP

Sure, I’ll bite.

#YOU GUYS #also I’m curious if your reasoning is based on knowing me from tumblr or through other interactions #WHAT IS THIS THIS IS AMAZING [[I don’t have a “when” somehow]] #why I’m gone #HOW DO THEY SO CUTE #LOOK IT HAPPENED #because seriously #never forget

Yep, those sound a lot like me.

Comics Were Never Just For Boys

saladinahmed:

imageAd from AMERICA’S GREATEST COMICS, 1942
imageLetters page, GREAT COMICS, 1941. Not only are girls writing in, but a boy casually mentions sharing the comics with his mother.
image1941’s “Super Ann,” produced by the Chicago Mail Order company, includes in-text ads for the clothes the teen movie star/adventurer is wearing!

omgthatdress:

Earrings
1865
The Victoria & Albert Museum

omgthatdress:

Earrings

1865

The Victoria & Albert Museum

When fashion and conservation and history collide

omgthatdress:

Since it’s Earth Day, here’s some fun earth facts for ya:

The Conservation Movement that brought things like national parks, environmental protections, Earth Day, etc. was in part because the immense popularity of feathered hats at the turn of the 20th century drove bird species to near extinction.  

capsicle107:

Peggy Carter being so done with inaccurate WWII films (Pearl Harbor, 2001)

  1. Several of the nurses in the film have hair longer than would have been allowed. Military women weren’t permitted to wear their hair longer than just above their collar.
  2. The Willys Jeep M38 shown in this scene wasn’t produced until 1950.
  3. The Eagle Squadron badge shown on his right arm in this scene was only used for the No. 303 Polish Fighting Squadron, never was it used for any squadron in England for which this soldier was fighting in. 
  4. This woman is wearing a modern style bikini, something that didn’t appear until 1946 when Louis Reard and Jacques Heim introduced it in Paris. 
  5. Danny exclaims “I think World War II just hit us!” when in fact it wasn’t called “World War II” until 1948. World War I was still being referred to as “The Great War” at the time. 
  6. The Japanese Zeros depicted here are painted dark green, but during 1941 they were painted light grey. They weren’t painted green until 1943. 

Notes:
-Original Prompt: Historically Innacurate World War II Movies
-The Attack on Pearl Harbor occurred on December 7, 1941
-Happy CarterCentury week!

spockisinthetardis:

thefrozensoldier:

girlsbydaylight:

manafromheaven:

omg

I’ve scrolled by this about four times now and I’ve known what’s coming for three times now.

And I still totally lost it every time.

Oh my god, Tony’s fucking face got me.

oh god it’s back